
The Art of Expression
I’ve recently returned to my first love — watercolor — and have been joyfully rediscovering the beauty of the Finger Lakes through this luminous and expressive medium. Over the past months, I created a series of “White Season” paintings inspired by winter’s quiet hills, weathered barns, and fields of dormant grasses. The landscape felt hushed and pared back, asking for subtlety and restraint. And yet, even in that stillness, I found myself reaching for color — leaning into saturated skies, softened light, and the promise of spring flowers just beneath the surface. During the White Season, watercolor became both a meditation and a reminder: beneath the quiet, life is gathering itself for bloom.


And then there are the flowers — my endless fascination and joy. I am completely captivated by their delicate petals, the subtle shifts of shadow and light across their surfaces, and the intricate textures that reveal themselves the longer you look. Painting flowers allows me to slow down and truly observe — the curl of an edge, the transparency of a petal, the architecture hidden inside a bloom. I’m equally enchanted by the small lives they sustain: the bees, the beetles, the quiet, determined critters that build their livelihoods among the blossoms. In watercolor, flowers feel alive — luminous, layered, and full of quiet complexity — and I never tire of trying to capture their fleeting beauty.

I can't work completely out of my imagination. I must put my foot in a bit of truth, and then I can fly free.
-Andrew Wyeth
Charlie was an amazing friend.
- Charlotte Seth
Some of the places folks have asked me to recreate:
Montana, UP of Michigan, a lake in PA, and Maine
